![]() The rest of the film however may pass through without leaving much of an impression. The scene where one Fassbender teaches the other to play the flute is rife with really weird sexual tension. In multiple scenes made possible by impeccable special effects, David and Walter have subtext-heavy conversations about the meaning of life and the android's obsession with improving it. The one saving grace of "Covenant" is actor Michael Fassbender, who plays both the sinister android David (from "Prometheus") and his more benevolent counterpart Walter. One can forgive some of their stupid decisions this writer certainly wouldn't be thinking clearly were a phallic, six-foot cockroach made of bone running toward him. Additionally, many characters are left undeveloped, existing merely as meat for xenomorph lunches. Too much is explained, and audience members are left so unengaged that noting all the film's little plot holes becomes the only way to make it through to the end. The film function terribly well as a thriller unto itself, either. The film's feints in the direction of profundity are adolescent at best, and insufferable at worst. While much of the production design is first-rate (the futuristic cityscapes have been endlessly imitated by filmmakers who came after), the characters are all largely inscrutable ciphers, laconically mumbling about wanting to live, all the while boring the audience to death. Regardless of which cut you pick, "Blade Runner" is a terrifyingly dull film. ![]() Scott has tinkered endlessly with "Blade Runner" since its release, producing multiple cuts that the film's hardcore fans delight in arguing over. the Extra-Terrestrial," "Conan the Barbarian," and "Star Trek II: The Wrath of Khan"), "Blade Runner" fell by the wayside, only accruing a cult following years later. But because 1982 was a year packed with other notable genre films ("Blade Runner" was released on the same day, or in the vicinity, of "The Thing," "E.T. When "Blade Runner" was released on June 25, 1982, it was met with only modest success, earning $6.1 million on its opening weekend (on a $30 million budget).
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